Monday, 3 May 2010

[C745.Ebook] PDF Ebook The River Cottage Curing and Smoking Handbook, by Steven Lamb

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The River Cottage Curing and Smoking Handbook, by Steven Lamb

A thoroughly practical guide to curing and smoking meat, fish, cheese, and vegetables at home.

River Cottage, a long-standing pioneer for high-quality sustainable food, is all about knowing the whole story behind what's put on the table. In true River Cottage form, this accessible, compact guide is bursting with essential information for sourcing, butchering, smoking, and curing the whole hog, cow, chicken, fish, and vegetable. Steven Lamb, a respected charcuterie authority, breaks down the traditional methods of curing and smoking to their most simple procedures, with abundant visual resources and 50 recipes. With some salt, pepper, and sugar from the pantry, it's easy to turn good-quality produce into fantastic, exciting food. This thorough, timely handbook begins with a detailed breakdown of tools (from sharp knives to sausage stuffers, for the gadget-loving cook) and an explanation of the preservation process, including a section on which cuts are best for various methods of curing and smoking. Lamb then dives into each method--from dry-curing to fermentation, brining to smoking--in a straightforward, comprehensive manner. And for each technique, there are many delicious recipes, including chorizo Scotch eggs, hot smoked mackerel, prosciutto, and dry-cured bacon.

  • Sales Rank: #34302 in Books
  • Published on: 2015-04-14
  • Released on: 2015-04-14
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.07" h x 1.03" w x 5.39" l, .0 pounds
  • Binding: Hardcover
  • 256 pages

About the Author
STEVEN LAMB has been involved with River Cottage since the very beginning, hosting events, living at the farm, and appearing regularly on the TV series and online. Working closely with Hugh Fearnley-Whittingstall and head chef Gill Meller, Steven represents River Cottage in the UK and abroad. He teaches at the cooking school, where he specializes in curing and smoking meat.

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9 of 10 people found the following review helpful.
Now you can make bacon at home
By Joybilee Farm
This is the book I’ve needed all along. If you are a homesteader raising your own quality meat, poultry, fish, or cheese this is the book you’ve been waiting for. If you have a local source for healthy meat, you’re a hunter or fisher, or you love to play in the kitchen with unusual techniques you’ll love this book. If you prefer Hamburger Helper™ and Shake ‘n’ Bake™ you might feel a bit overwhelmed with the recipes, but hey, everyone has to start somewhere.

One of the drawbacks of cultured meat is that it is always pork based. Take a walk through the sausage and deli meat section of your local organic food store and read the labels. I did that last Friday at Choices Market in Kelowna. The first ingredient of every package I picked up – Pork. Now for those of you that raise pigs and love pork, that’s all fine. This book has lots of pork recipes. But my family doesn’t eat pork. Never has, except for a brief bacon fixation when my middle son was 15 till he left home. Once he left, so did the bacon.

So when I see those amazing Pinterest recipes of asparagus wrapped in bacon, I pin them anyway, knowing I’d never be able to actually make them. Isn’t that what Pinterest is for? Well, with this book by Stephen Lamb, that’s about to change.

You can now make bacon at home

Lamb reveals the secret to making bacon at home in just 10 days, using pork, (yes, but why would you have to use pork?). Once you know the step by step process, you can use the knowledge to substitute other meats, like lamb, goat, bear, or even beef. Beef bacon? Well, they sell turkey bacon here. See pages 138 to 143 for the well-illustrated beginner recipe that uses pork belly. There are recipes here for Canadian back bacon, too, using pork loin. Lamb claims this will be the best bacon you’ve ever tasted. It’s a very simple recipe with only a 6 ingredients. It’s the technique that’s magical. Once you’ve tried it, I’m sure you’ll never go back to store bought bacon with its high-end luxury price tag. Seriously, bacon’s gone up 25% here in just 3 months. Time to make your own, isn’t it?

But it’s not just about bacon. The book covers so many different meats, many that you may be growing on your homestead like lamb, goat, venison, duck, chicken, turkey, and fish. While the recipes are meat specific and traditional, the techniques of curing and smoking are timeless and used to preserve the meat you have on hand, whatever that may be.

What’s inside the book?
Let’s take a look inside the book. It is a small hardback that’s easy to handle – really the perfect size for a recipe book you’ll keep in the kitchen for a long time. Those large, unwieldy cookbooks with the hero pictures on alternate pages make inspiring reading but they are impractical to actually use on the counter while you are grabbing salt and molasses, and splashing olive oil. The layout is attractive with lots of information to insure your success and inspiration. There’s a few key pictures that demonstrate the step by step process of each technique, plus pictures of the finished products.
There’s traditional recipes for food you’d find at the local deli, plus innovative recipes that will inspire your creativity.

What’s not in the book?
What you won’t find in the book is complete menus and serving suggestions. This is a technique book that shows you how to create an ingredient from scratch like bacon (p. 138) or salami (p. 166), using traditional recipes that are adapted to the homestead kitchen. Once you have the finished ingredients, whether that’s Hot Smoked Rose-cured Beef (p. 236) or Cider-cured Ham (p. 195), you can use it in your own recipes. Here’s where Pinterest might help. (I really want to try that rose-cured beef, once my rugosa roses are producing. It sounds amazing!)

If you are a homesteader, love to make food from scratch, and are looking for new ways to preserve the annual harvest, you’ll get lots of inspiration and workable recipes in the Curing and Smoking Handbook. But be warned, you may end up spending even more time on Pinterest, searching for DiY Smoke House plans and tantalizing bacon recipes.

Disclaimer: I received this book from Blogging for Books for this review. Nevertheless, this review represents my honest opinion of this book.

3 of 4 people found the following review helpful.
Excellent for reference!
By Amazon Customer
The River Cottage Curing and Smoking Handbook by Steven Lamb is perfect for those wanting to get a better understanding of how to preserve meat at home without expensive equipment. The introduction by Hugh Fearnley-Whittingstall gives us a look at the history of curing and smoking as well as traditional cured foods. I really enjoyed the "science behind curing" section, this helped me to get a better understanding of the "why" and "how" of the curing technique and how the main ingredients interact to flavor and preserve. There is also mention of botulism (a bacteria that becomes deadly by the toxins they emit) and how important of a role nitrites and nitrates play in preventing this by means of the curing process.

The author did a good job of keeping it simple, pretty much everything in the book can be done without expensive equipment. There is of course, things that will make the job easier like a meat grinder and sausage stuffer but you don't have to go out and buy them just to use the recipes in the book. The ingredients chapter gives us a look at meat, fat, herbs, spices, and casings. I enjoyed the pig diagram that listed the cut of pork, the product it makes, the method of curing to achieve it, and the page number for the recipe. For example, the picnic shoulder can be made into either salami, chorizo, or cotechino by fermentation or air drying and can be found on pages 167, 171, 175, respectively.

The chapter on methods is the most informative since you can take that knowledge and span it across many different foods. Dry curing, fermentation, brining, and smoking are all mentioned in quit in depth.

Lastly, the recipes are pretty amazing. The dry cured bacon is first on my list of things to try but so is the hot smoked rose-cured beef and the oak smoked cheddar.

Overall, excellent excellent reference book for anyone wanting to get a better understanding of the curing and smoking process!

I received The River Cottage Curing and Smoking Handbook for free through the "Blogging for Books" program in exchange for my review, however all opinions are my own.

1 of 1 people found the following review helpful.
Amazing awesome handbook that teaches you and informs you on ...
By Angela
Amazing awesome handbook that teaches you and informs you on everything you need to know from smoking curing and doing so many other things. I really like how the beginning of the book goes over the history of curing and salting your meats to be able to get them to last longer. The book breaks down everything you need to know very well and it is an awesome read. Not only does it tell you the history behind curing your food it gives you step by step directions on how to cure salt and smoke many different types of meats. This is an awesome book and I love it. I have been trying to learn how to be more self sufficient and being able to do more things like this on my own and this book has really helped me accomplish that. It is a nice hard cover book that is very durable and a great addition to my collection. I received this book to share my honest thoughts and opinions about it.

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[S929.Ebook] Ebook Download Gaunt's Ghosts: The Founding, by Dan Abnett

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Gaunt's Ghosts: The Founding, by Dan Abnett

This omnibus edition of the first three Gaunt's Ghosts novels follows the story of the Tanith First-and-Only regiment (nicknamed the Ghosts) and their charismatic commissar, Ibram Gaunt. As they travel from warzone to warzone in the Chaos-infested Sabbat Worlds system, the Ghosts must not only carry out the most dangerous of missions but also survive the deady politics of the Imperial Guard.

  • Sales Rank: #44954 in Books
  • Published on: 2008-12-12
  • Released on: 2008-12-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.75" h x 2.10" w x 5.00" l, 1.12 pounds
  • Binding: Paperback
  • 768 pages

About the Author
Dan Abnett lives and works in Maidstone, Kent, in England. Well known for his comic work, he has written everything from the Mr Men to the X-Men. His work for the Black Library includes the popular strips Lone Wolves, Titan and Darkblade, the best-selling Gaunt's Ghosts novels, and the acclaimed Inquisitor Eisenhorn trilogy.

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0 of 0 people found the following review helpful.
The Founding - Gaunt's Ghosts Omnibus
By Calin Day
Gaunt's Ghosts is the tale of the Imperial Guard from the viewpoint of the Imperial Guard. Dan Abnett throws the reader into the fray immediately, with no remorse or apologies, just the way war really is.

To get the experience of 40K in the thick of front line combat, look no further!

0 of 0 people found the following review helpful.
Great Book
By Gordon D. Ganey
If you like military SciFi then Dan Abnett is a good choice. Darker than John Ringo or David Weber, his books are intriguing, riviting, and exciting. I would recomend them to anyone who enjoys the military SciFi genre.

0 of 0 people found the following review helpful.
Great read!
By ZachB
This is was my first of the much larger Gaunt's Ghosts series -- I'm ready for the rest!

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Sunday, 2 May 2010

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  • Sales Rank: #5875351 in Books
  • Published on: 2000-05-01
  • Binding: Paperback
  • 160 pages

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Friday, 23 April 2010

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Writing: The Nature, Development, and Teaching of Written Communication: 001, by M. Farr Whiteman

First Published in 1982. Routledge is an imprint of Taylor & Francis, an informa company.

  • Published on: 2013-12-16
  • Released on: 2013-12-16
  • Format: Kindle eBook

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Good Masters! Sweet Ladies!: Voices from a Medieval Village, by Laura Amy Schlitz

Step back to an English village in 1255, where life plays out in dramatic vignettes illuminating twenty-two unforgettable characters.

Maidens, monks, and millers’ sons — in these pages, readers will meet them all. There’s Hugo, the lord’s nephew, forced to prove his manhood by hunting a wild boar; sharp-tongued Nelly, who supports her family by selling live eels; and the peasant’s daughter, Mogg, who gets a clever lesson in how to save a cow from a greedy landlord. There’s also mud-slinging Barbary (and her noble victim); Jack, the compassionate half-wit; Alice, the singing shepherdess; and many more. With a deep appreciation for the period and a grand affection for both characters and audience, Laura Amy Schlitz creates twenty-two riveting portraits and linguistic gems equally suited to silent reading or performance. Illustrated with pen-and-ink drawings by Robert Byrd — inspired by the Munich-Nuremberg manuscript, an illuminated poem from thirteenth-century Germany — this witty, historically accurate, and utterly human collection forms an exquisite bridge to the people and places of medieval England.


From the Hardcover edition.

  • Sales Rank: #35269 in Books
  • Brand: Candlewick Press
  • Model: CP-9780763650940
  • Published on: 2011-09-13
  • Released on: 2011-09-13
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .31" w x 6.00" l, 1.00 pounds
  • Binding: Paperback
  • 96 pages

From Publishers Weekly
Starred Review. Schlitz (The Hero Schliemann ) wrote these 22 brief monologues to be performed by students at the school where she is a librarian; here, bolstered by lively asides and unobtrusive notes, and illuminated by Byrd's (Leonardo, Beautiful Dreamer) stunningly atmospheric watercolors, they bring to life a prototypical English village in 1255. Adopting both prose and verse, the speakers, all young, range from the half-wit to the lord's daughter, who explains her privileged status as the will of God. The doctor's son shows off his skills ("Ordinary sores/ Will heal with comfrey, or the white of an egg,/ An eel skin takes the cramping from a leg"); a runaway villein (whose life belongs to the lord of his manor) hopes for freedom after a year and a day in the village, if only he can calculate the passage of time; an eel-catcher describes her rough infancy: her "starving poor [father] took me up to drown in a bucket of water." (He relents at the sight of her "wee fingers" grasping at the sides of the bucket.) Byrd, basing his work on a 13th-century German manuscript, supplies the first page of each speaker's text with a tone-on-tone patterned border overset with a square miniature. Larger watercolors, some with more intricate borders, accompany explanatory text for added verve. The artist does not channel a medieval style; rather, he mutes his palette and angles some lines to hint at the period, but his use of cross-hatching and his mostly realistic renderings specifically welcome a contemporary readership. Ages 10-up.
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
*Starred Review* The author of A Drowned Maiden's Hair: A Melodrama (2006), Schlitz turns to a completely different kind of storytelling here. Using a series of interconnected monologues and dialogues featuring young people living in and around an English manor in 1255, she offers first-person character sketches that build upon each other to create a finer understanding of medieval life. The book was inspired by the necessity of creating a play suitable for a classroom where "no one wanted a small part." Each of the 23 characters (between 10 and 15 years old) has a distinct personality and a societal role revealed not by recitation of facts but by revelation of memories, intentions, and attitudes. Sometimes in prose and more often in�one of several�verse forms, the writing varies nicely from one entry to the next. Historical notes appear in the vertical margins, and some double-page spreads carry short essays on topics related to individual narratives, such as falconry, the Crusades, and Jews in medieval society. Although often�the characters' specific concerns are very much of their time, their outlooks and emotional states will be familiar to young people today. Reminiscent of medieval art, Byrd's lively ink drawings, tinted with watercolors, are a handsome addition to this well-designed book. This unusually fine collection of related monologues and dialogues promises to be a rewarding choice for performance or for reading aloud in the classroom. Phelan, Carolyn

Review

Winner of the 2008 Newbery Medal

"Brilliant in every way." – Kirkus Reviews (starred review)

"A vivid, convincing portrait of medieval adolescence." – Bulletin of the Center for Children’s Books (starred review)

"Bolstered by lively asides and unobtrusive notes, and illuminated by Byrd's stunningly atmospheric watercolors, [the monologues] bring to life a prototypical English village in 1255." – Publishers Weekly (starred review)

"Schlitz gives teachers a refreshing option for enhancing the study of the European Middle Ages: here are seventeen monologues and two dialogues that collectively create a portrait of life on an English manor in 1255." – The Horn Book

Most helpful customer reviews

237 of 251 people found the following review helpful.
Without compare
By E. R. Bird
Allow me to make something perfectly clear. There are, living amongst you, one or two sad souls for whom the name "Laura Amy Schlitz" does not mean anything. This is a state of affairs that does none of us any good. You see, Ms. Schlitz is an author whose time has come. In 2006 she managed to simultaneously produce an epic gothic/realistic/historical/faux-ghost story in the tradition of The Secret Garden and The Wolves of Willoughby Chase, while also churning out a truly amusing and interesting bit of non-fiction on the side. You have an assignment. If you have not read A Drowned Maiden's Hair: A Melodrama or The Hero Schliemann: The Dreamer Who Dug For Troy, do so. You'll be better for it. That done, you may turn your sights onto a book that combines the two things Schlitz does so very well: Research and historical fiction.

Maybe once a month a parent will walk up to my reference desk and ask me where they can find a nice selection of plays for children. Usually I'll direct them to Plays the periodical or wave them towards the 800s, but by and large there's not a lot of quality drama material for kids out there. Nothing that would give them all some great parts, that is. Schlitz acknowledges this fact right from the start in her book. Says the Foreward, "It really isn't possible to write a play with seventeen equally important characters in it. If you read Shakespeare, you'll notice that he never managed it - there are always a few characters that have little to say or do." So what was Schlitz to do when a group of students at the school (where she tends the library) all let her know in no uncertain terms that they wanted big starring roles? She just had to write them a book. In "Good Masters! Sweet Ladies!," Schlitz gives us a whopping twenty-three parts, each one the monologue of a kid who would have lived in a Medieval village. There's Edgar the falconer's son plotting to keep his bird out of the grasp of its real owner, Simon the knight's son. There's Taggot who moons over the lord's nephew, Constance the pilgrim, and Nelly the sniggler. Any book with a sniggler is bound to be good. Each part tells its story in the first person so that by the end you have seen twenty-three lives perfectly realized for the child audience and actor.

I expected to learn something from this book. What I didn't expect was to be touched. What you need to remember here, even as your eye falls on footnotes giving the definition of "Prime" or the importance of dying "unshriven", is that Schlitz is a masterful writer. These monologues aren't rote lists of facts for kids to memorize. They're powerful stories, and none of them have easy answers. Maybe the characters' lives will end well. Many times they will not. What is important is that Schlitz is at least giving these people a chance to be heard. And as a child takes on a character, they'll start to think about what happened to them in the future. What'll happen to Jack, the boy everyone assumes is a half-wit? Or Barbary the mudslinger's mom? What are we to make of that brief moment of grace between a Jew and a Christian merchant's daughter? It's like parsing the words of twenty-three narrators, some of whom you could easily categorize as "unreliable".

Aside from the innate drama here, Schlitz also gets in some lovely writing. For example, Mogg, the villein's daughter, talks of how her mother fools the lord and finds a way for the family to keep their cow, Paradise. The lord comes and Schlitz writes, "So. He took the best of the pigs - I'd have chosen the same, in his place. We curtsied. Mother kissed his hand, and we watched him ride off, and waited till dark, to take back Paradise." Well played, that. Parts of this book are touching one moment and funny the next. As always, the application of humor to any title, when done successfully, ups the value of the book. Here Schlitz brings a wry, almost gallows humor to a time that was harsh and cruel with the rare snatches of great beauty here and there. Even the footnotes, bane of the easily bored, are of interest. For example, there's a moment when we learn of the peculiar fact that the patron saint of tanners was Saint Bartholomew, because he was flayed. "The logic of this is macabre, but not unique," says the author. She gives a couple examples of similar cases closing with, "We won't even talk about what happened to Saint Erasmus - it's too disgusting." Saint literature is about to go way up in circulation, I suspect.

I don't pretend to know why illustrator Robert Byrd chose the style that he did. It's possible, and really I'm just spitballing here, that he was drawing inspiration from the illustrated Bibles created by monks during this time period. No stranger to illustrating Schlitz's words (as he did for the aforementioned Schliemann), each section Byrd creates is accompanied by an image of the speaker of the monologue in the uppermost part of the page. Using delicate pen-and-inks, Byrd works in details in minutia, coming across as a kind of cohesive dot-free Peter Sis. Most amusing is the map he has drawn at the beginning of the book. It displays "A Medieval Manor" in 1255 England. Every character appears here, according to where they would have lived on a typical manor during that time. The map really clarifies beautifully how people lived during that era and, in addition to its accuracy, is fun in terms of figuring out where all the characters are located ala Where's Waldo?"Where's Waldo?".

Getting people excited about this book is going to be difficult. The hard part is going to consist of promoting it properly to the right people. "Good Masters! Sweet Ladies!," doesn't fall neatly into a single category. It's historical, but it's also a drama. There are facts galore but they are couched between a series of fictional monologues. Footnotes explain the odd phrases and out-of-date terms. Non-fiction two page spreads break up the monologues and offer a little factual background on things like "The Crusades" or the status of Jews during Medieval England. A lot of hand-selling is going to have to go down here, so it's best to start now. Read it. Love it. Talk it up like mad.

As one librarian I briefly allowed to see this book (I'm very protective) said to me, "It really sucks you in!" It does at that. When you hit Pask's section and the first line is "I don't know when I ran away," it's hard not to read on. With the dual practical purpose of serving as an accompaniment to those children learning about Medieval life AND providing those hungry for the limelight for a chance to shine in the sun, this title stands unique. But wait! How fare the facts? Well the Bibliography is not one, not two, not even three, but FOUR pages long. Put that in your pipe and smoke it. I'm no Medieval scholar but nothing I read struck me as false here. The writing is good, the facts even better, and the whole kerschmozzle a necessary purchase (to say the least). I may not know how to catalog this puppy in my library, but I do know that if breaking new ground in non-fiction ever deserved attention, it was now. A title to buy from an author to watch.

60 of 62 people found the following review helpful.
Voices of Authenticity
By Kemie Nix
Set in England in 1255, various people from the village speak in monologues about their lives. Pask, for example, has run away from his harsh ruler, the local lord. If he lives in the village for a year and a day, he will become free. Surviving the fierce winter is questionable until he hides in a kennel and is fed dog food by the daughter of the man who cares for the dogs. She, in turn, loves the dogs but is plagued by fleas everywhere in her house - even in the bread.

Twenty-three different young villagers introduce themselves to readers through monologues and dialogues. With well-researched details of life in a medieval village, each young person relates to one or more of the other characters until an intriguing whole, highly original book emerges. Ready to be performed, these voices themselves unite into a masterful performance.

42 of 44 people found the following review helpful.
Monologues from Medieval tweens
By Anne B. Levy
From the cover illustration on, the tweens and teens who inhabit this fictional village have taken up residence in my imagination, where they continue to flirt and jostle, scrounge out a living, sin and repent and hunger and triumph. I imagine their beatings, their wasted frames and matted hair and share their hard-scrabble existence through 81 brief pages, with smatterings of discreetly placed background notes.

Schlitz wrote this for students at a private school in Baltimore, where she's a librarian and historian. When she offered to write a play that truly depicted life in the Middle Ages, nobody wanted a minor part. She created 21 scenes, all but two of them for a single actor, and most of them in verse. As the characters speak, they offer an unflinching view of their poverty, their superstitions and prejudices and the limited scope of their ambitions.

And, like any kids, they're brightly optimistic, cheerful in their adversity, and full of imagination and daring.

We meet the Lord of the Manor's nephew, who risks his life in a boar hunt; a glassblower's apprentice determined to get it right; a shepherdess struggling to save her "sister" sheep, and many other charming, disarming and (mostly) guileless kids struggling to figure out their place in the local pecking order and how to bridge those awkward years until adulthood.

Even with so many disparate voices, there are no discordant notes. Village life emerges with its rhythms, its simplicity, and narrative threads that weave all the characters into a cohesive whole. Byrd helpfully illustrates with scenes that could've come from a Book of Hours; his approximation of Medieval illuminations are so close that I forgot I'd already seen his name on the cover and searched the extensive bibliography for the pictures' source.

Although the scenes are meant to be performed or at least read aloud by 10-15 year olds, this can also be read silently by one very absorbed kid -- or, ahem, grown-up.

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  • Sales Rank: #1356210 in Books
  • Published on: 2009
  • Number of items: 1
  • Binding: Hardcover
  • 1030 pages

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What is the significance of water baptism? Who should be baptized? Is infant baptism scriptural? Which is the proper baptismal mode: sprinkling, pouring, or immersion? Should people be rebaptized if they join a church that teaches a different form of baptism? Should baptism be required for church membership? These and other questions are explored in this thought-provoking book.

Four historic views on baptism are considered in depth:
• Baptism of the professing regenerate by immersion (Baptist)
• Believers’ baptism on the occasion of regeneration by immersion (Christian Churches/Churches of Christ)
• Infant baptism by sprinkling as a regenerative act (Lutheran)
• Infant baptism of children of the covenant (Reformed)
Each view is presented by its proponent, then critiqued and defended in dialogue with the book’s other contributors. Here is an ideal setting in which you can consider the strengths and weaknesses of each stance and arrive at your own informed conclusion.

  • Sales Rank: #78174 in eBooks
  • Published on: 2009-08-30
  • Released on: 2009-08-30
  • Format: Kindle eBook

From the Back Cover
What is the significance of water baptism? Who should be baptized? Is infant baptism scriptural? Which is the proper baptismal mode: sprinkling, pouring, or immersion? Should people be rebaptized if they join a church that teaches a different form of baptism? Should baptism be required for church membership? These and other questions are explored in this thought-provoking book. Four historic views on baptism are considered in depth: * Baptism of the professing regenerate by immersion (Baptist) * Believers' baptism on the occasion of regeneration by immersion (Christian Churches/Churches of Christ) * Infant baptism by sprinkling as a regenerative act (Lutheran) * Infant baptism of children of the covenant (Reformed) Each view is presented by its proponent, then critiqued and defended in dialogue with the book's other contributors. Here is an ideal setting in which you can consider the strengths and weaknesses of each stance and arrive at your own informed conclusion.

About the Author
John H. Armstrong is president of ACT 3 in Carol Stream, Illinois and served as a pastor for more than twenty years. He is an adjunct professor of evangelism at Wheaton College Graduate School. His online commentaries regularly appear at www.Act3online.com. He holds degrees from Wheaton College, Wheaton Graduate School, and Luther Rice Seminary. He is the author or editor of a number of books including The Catholic Mystery, Five Great Evangelists, Understanding Four Views on the Lord's Supper, and Understanding Four Views on Baptism

Paul E. Engle, series editor for Counterpoints Church Life, is an ordained minister who served for twenty-two years in pastoral ministry in Pennsylvania, Connecticut, Illinois, and Michigan. He is an adjunct teacher in several seminaries in this country and internationally. He serves as associate publisher and executive editor in the Church, Academic, and Ministry Resources team at Zondervan. He and his wife Margie, live in Grand Rapids, Michigan.

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49 of 51 people found the following review helpful.
Excellent overview of baptism
By Todd Grotenhuis
This is a fantastic summary of four Protestant understandings of baptism: from the Baptist, Reformed, Lutheran, and Church of Christ perspectives. Each of the authors does a marvelous job of stating his case briefly and succinctly (all chapters are under 20 pages) and yet thoroughly -- I felt as though I grasped the core teachings of each perspective after I finished. The editor (John Armstrong) also offers a helpful introduction and conclusion, which point out some of the universally-held points of agreement among all the contributors, as well as the key issues on which they differ.

I fall within the Reformed perspective, and I was impressed by how the Reformed writer not only included several classic terms from Reformed theology (e.g., "covenant", "sign and seal", "means of grace") but also defined these terms and showed how they emerge from the Bible and not just from the Reformed Confessions. Other reviewers will have to assess whether they think the other 3 perspectives were as well-represented, but I thought all the chapters were very well-written. (Perhaps a few additional comments could have helped in a few areas. For example, neither of the two proponents of Infant Baptism addressed very strongly how the biblical data is somewhat inconclusive: just as there is no explicit command to baptize infants, neither is there an explicit command forbidding it; and just as there is no clear-cut example of an infant being baptized in Scripture, neither is there any example of an infant being presented for baptism by his or her parents, and being denied. But this is a small point.)

The respect that each of the authors has for each other is also evident: Several times they list points of agreement with the other positions which sound like they spring from genuine appreciation, and not from a patronizing attempt to avoid sounding too critical. Also, the editor readily admits in the opening introduction that there is no single position on baptism which is the definitive "Christian" or "biblical" view.

Other than the brevity of the chapters and the possibility of a few additional comments that would have solidified the authors' positions, the only other thing (that I can think of) that would have strenghtened this book would have been to include a Roman Catholic viewpoint: I'd be especially interested to hear how a Roman Catholic might respond to and critique the four views that are contained.

But this is a minor quibble. Overall, this book gives a wonderful presentation of four major views on baptism. The reader will come away with a well-balanced understanding of the main strengths and weaknesses of each position. And as an added bonus, the back of the book contains a series of appendices which include a concordance of all the occurences of the word "baptize" (and its derivatives) in the Bible, and a series of quotations from creeds, catechisms, and well-respected theologians that offer additional examples of the differing views on baptism. This book will be a welcome addition to the library of anyone wanting a broader understanding of baptism, as it is viewed by differing Christian traditions.

33 of 35 people found the following review helpful.
Great Discussion of Christian Views About Baptism
By Dr. Marc Axelrod
This is a great addition to the Counterpoints series. The format of previous volumes is retained. Each theologian has an essay about his view of baptism, and the others give brief replies.

The first one up at the plate is Thomas Nettles, who represents the Baptist view. He points out that the pattern for baptism is that it is something which follows belief. Therefore, Nettles would not baptize an infant. Nettles struggles somewhat as he tries to explain how difficult texts such as 1 Peter 3:21 and Acts 22:16 fit into his system.

The Reformed view is presented by Richard Pratt, Jr. He contends that infant baptism has a similar function to circumcision in the Old Testament in that it incorporates the child into the visible community (even though it does not confer saving grace on the child).

Nettles and Castelein countered Pratt by noting that Pratt placed an equal amount of emphasis on the Westminster Confession as he did the Bible, and that non_Reformed Christians would object to this. They note that our doctrine should come straight from Scripture.

Robert Kolb presents the Lutheran view, and it is very similar to the Reformed perspective. The main difference is that Lutherans believe that babies ARE born again when they are baptized. Nettles counters this by noting that that there are no known instances of salvation in the New Testament apart from hearing and responding to the gospel, an argument which struck me as quite cogent.

John Castelein presents the Church of Christ view. His presentation is very similar to the Baptist view. The one difference is that Castelein contends that baptism is the occasion for justification, a teaching that Pratt and Nettles effectively challenge.

Armstrong has a short essay encouraging continued dialogue, then there are appendixes which list all the scriptures about baptism and some of the confessional statements issued by the Church in the past.

I don't think that any one of the writers delievered a knockout punch, but my own understanding of Scripture fits best with the view of Thomas Nettles. I am surprised that non one discussed Acts 2:41, which says that "all who accepted the message were baptized." I wonder how infant baptizers would respond to this.

But I thought the essays were crisp and clear, and I like how each one ended with practical questions that people might ask, along with some good answers. Buy this book if you are sifting through your understanding of baptism.

0 of 0 people found the following review helpful.
Gives a good look at different views on baptism and provides good dialogue between the opposing ideas.
By ChadL
Informative

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