Sunday, 15 December 2013

[E610.Ebook] Get Free Ebook Drawn to Life: 20 Golden Years of Disney Master Classes: Volume 2: The Walt Stanchfield Lectures, by Walt Stanchfield

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Drawn to Life: 20 Golden Years of Disney Master Classes: Volume 2: The Walt Stanchfield Lectures, by Walt Stanchfield

Discover the lessons that helped bring about a new golden age of Disney animation!

Published for the first time ever, Drawn to Life is a two volume collection of the legendary lectures from long-time Disney animator Walt Stanchfield. For over twenty years, Walt helped breathe life into the new golden age of animation with these teachings at the Walt Disney Animation Studios and influenced such talented artists as Tim Burton, Brad Bird, Glen Keane, and John Lasseter. These writings represent the quintessential refresher for fine artists and film professionals, and it is a vital tutorial for students who are now poised to be part of another new generation in the art form.

* Legendary lessons from the master Disney animator who put the wiggle in Jessica Rabbit's walk!
* Packed full of illustrations from some of the top animators in the world including Brad Bird, Glen Keane and John Lasseter
* Two volumes and 800 pages of pure gold - offers in-depth advice and instruction on bringing characters to life

Sample Pages from Drawn to Life: 20 Golden Years of Disney Master Classes, Volume 2(Click images for larger versions)

  • Sales Rank: #53488 in Books
  • Published on: 2009-03-23
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.75" h x 8.25" w x 1.00" l, 2.55 pounds
  • Binding: Paperback
  • 370 pages

Review

For nearly thirty years, the artists that passed through the gates of Disney Animation, and even non-artists like myself, were influenced by the craft, skill, wisdom, writings and sketches of Walt Stanchfield.

Roy Disney

Walt was a kind of Mark Twain for us at Disney. He always taught with humor and skill. You learned to see the world through his eyes. I remember him one day encouraging us to leap into our drawings with boldness and confidence, "Don't be afraid to make a mistake. We all have 10,000 bad drawings in us so the sooner you get them out the better!" Sitting in Walt's class was as much a psychology course as it was a drawing class. One couldn't help walk away with your mind and soul a little more open than when you entered.

Glen Keane, Walt Disney Animation Studios

Walt Stanchfield's classes and writings were little distillations of the man: quirky, strongly stated in a genial voice, and brimming with a lifetime of sharp observations about story telling and graphic communication. Whether he drew with a ball point pen or painted with a brush dipped in his coffee cup, he got to the essence of things and was eager to share what he learned to his eager disciples, myself among them. He was grizzled and he was great and proof that there was more than one Walt at the Disney Studio that could inspire a legion of artists.��

John Musker, Walt Disney Animation Studios

Walt Stanchfield was one of Disney Animation's national treasures. His classes and notes have inspired countless animation artists, and his approach to drawing of caricature over reality, feeling over rote accuracy, and communication over�photographic reproduction gets to the heart of what great animation is all about. Huzzah to Don Hahn for putting it all together for us!

Eric Goldberg, Walt Disney Animation Studios

During the Animation Renaissance of the 1990s, one of the Walt Disney Studio's best kept secrets was Walt Stanchfield. Once a week after work, this aged but agile figure jumped from drawing board to drawing board, patiently teaching us the principles behind the high baroque style of Walt Disney Animation drawing. Being in a room with Walt made you feel what it must have been like to have been taught by Don Graham. Having one of your life drawings be good enough to be reproduced in one of his little homemade weekly bulletins was akin to getting a Distinguished Service medal! Senior animators vied with trainees for that distinction.

Tom Sito, Animator/Filmmaker/Author of Drawing The Line: The Untold Story of the Animation Unions from Bosko to Bart Simpson

This exciting collection of master classes by the great teacher Walt Stanchfield is destined to become a classic on the order of Kimon Nicolaides' exploration of the drawing process. Stanchfield (1919-2000) inspired several generations of Disney animators and those of us outside the studio fortunate enough to happen upon dog-eared copies of his conversational notes, which we passed around like Leonardo's Codex Leicester. Stanchfield beautifully communicates the essence and joy of expressing ideas through the graphic line and accumulating a visual vocabulary. DRAWN TO LIFE is a treasure trove of cogent, valuable information for students, teachers and anyone who loves to draw.

John Canemaker, NYU professor and Academy Award-winning animation filmmaker

Walt Stanchfield, in his own unique way, taught so many of us about drawing, caricature, motion, acting and animation. Most important to me, was how Walt made you apply what you had observed in his life drawing class to your animation. Disney Animation is based on real life, and in that regard Walt Stanchfield's philosophy echoed Walt Disney's:

'We cannot caricature and animate anything convincingly until we study the real thing first.'

Andreas Deja, Walt Disney Animation Studios

Walt Stanchfield's renewed emphasis on draftsmanship at the Disney Studios transformed the seemingly moribund art of animation. His students were part of a renaissance with The Little Mermaid and Who Framed Roger Rabbit, a renaissance that continues with films ranging from The Iron Giant to Lilo and Stitch to Wall-E.

Charles Solomon, Animation Historian

I'm so grateful to Focal Press for publishing these fabulous Walt Stanchfield books. They are veritable 'gold dust' for the serious (and aspiring) animator! So 'hurrah' to Focal and 'hurrah' to Don Hahn to committing himself to compiling them. I ordered my copies the minute I saw them and will of course hope my students are smart enough to do so too!�

Tony White, DigiPen, Author of 'Animation: From Pencil to Pixels' and 'How to Make Animated Films'

About the Author
Don Hahn's name is synonymous with some of the most critically acclaimed animated motion pictures of this generation, including The Hunchback of Notre Dame, The Lion King, and Beauty and the Beast (the first animated film ever nominated for an Academy Award for Best Picture--before the Best Animated Film category was established). He was also the associate producer for Who Framed Roger Rabbit, the groundbreaking 1988 film that pioneered new techniques for combining animation and live-action. His other film credits include Fantasia/2000 and Atlantis. He is currently at work on his next Disney animated film and writing several other books including The Art of Disney Animation: The Storytellers.

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0 of 0 people found the following review helpful.
Delighted
By vicky bruck
Arrived in super condition!

28 of 30 people found the following review helpful.
It's a wealth of information and insight into drawing, animation and observation
By Parka
[[VIDEOID:34104511]]Drawn to Life is a collection of lectures from long-time Disney animator Walt Stanchfield. He has worked for Disney since the 1950s.

There are two volumes, each with over 400 pages. The reason for two volumes is probably to make the books easier to handle. Both are on gesture and life drawing, even though the cover art might suggest otherwise, especially the one with the lion. You can start reading from any book and any lecture. The order isn't important.

There are plenty of essays in the books. Each is a lesson relating to drawing and animation. It can be tangent drawings, creating believable characters, learning to observe, understanding gestures, etc. There are tips on almost anything relating to drawing. Loose and sketchy sketches serves as examples to the lessons.

These books are more thinking than drawing technique books. For example, the lessons are not about how to draw perspective, the lessons are about how to use perspective. You can view sample pages for volume one and volume two on amazon.com to get an idea.

The books represent a tremendous wealth of information and insight into drawing, animation and observation. After all, Walt Stanchfield has more than 50 years of experience in animation.

This book is recommended to those who are into animation and drawing.

(More pictures are available on my blog. Just visit my Amazon profile for the link.)

21 of 23 people found the following review helpful.
At Last, the Great Walt Stanchfield's Lessons in a Book
By Nancy Beiman
I had the privilege of studying with Mr. Stanchfield at the Walt Disney Animation Studio. His classes were electrifying and incredibly helpful to animators. Stanchfield's lectures have been collected in two wonderful books (so far I have just the one, but I'm sure the other will be equally outstanding.) If you are interested in learning about the portrayal of humans and animals in motion, even if you are not an animator-- this is the best book you could get on the subject. There is simply nothing else like this book out there. It is beautifully written, very funny, and very informative. Run, don't walk, and get both books today. I can't wait to get the other half of the set.

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Friday, 13 December 2013

[I961.Ebook] Download Aligner Orthodontics: Diagnostics, Biomechanics, Planning and Treatment, by Werner Schupp, Julia Haubrich

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Aligner Orthodontics: Diagnostics, Biomechanics, Planning and Treatment, by Werner Schupp, Julia Haubrich

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Aligner Orthodontics: Diagnostics, Biomechanics, Planning and Treatment, by Werner Schupp, Julia Haubrich

This book presents useful tips and strategies on how to integrate the Invisalign system successfully into clinical practice. The authors review the diagnostic protocols and the biomechanics of aligners before presenting Invisalign treatment protocols. With the support of accompanying case documentation, discussion of each malocclusion includes information of the associated symptoms, the rationale behind the selected treatment approaches, and the various outcomes achieved. The last section of this book deals with the advantages of the Invisalign system and can help patients and clinicians in deciding whether this system can provide optimal treatment outcomes for a particular clinical situation. This is a practical manual for any clinician interested in the novel treatment modality of aligner orthodontics.

  • Sales Rank: #436821 in Books
  • Published on: 2015-12-31
  • Original language: English
  • Dimensions: 11.25" h x 8.50" w x 1.00" l, 3.80 pounds
  • Binding: Hardcover
  • 358 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
Excellent overview. A lot of examples of complex case ...
By MIchael Bryant
Yes. Excellent overview. A lot of examples of complex case corrections. Highly recommend for anyone considering adding aligners to their practic

0 of 1 people found the following review helpful.
Five Stars
By Amazon Customer
Excellent

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[X112.Ebook] Ebook Calcium Techniques: A Laboratory ManualFrom Cold Spring Harbor Laboratory Press

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Calcium Techniques: A Laboratory ManualFrom Cold Spring Harbor Laboratory Press

Life begins with a surge of calcium ions (Ca2+) at fertilization, and thereafter, Ca2+ signaling influences nearly every aspect of mammalian development and physiology, from gene expression and cell proliferation to muscle contraction and nerve impulses. To create spatiotemporally distinct Ca2+ signals, cells use a variety of mechanisms to recognize, transport, and buffer Ca2+. Thus, a diverse range of reliable experimental techniques is necessary to study the movement of Ca2+ and the various effectors involved.

This laboratory manual provides step-by-step protocols for studying many facets of Ca2+ signaling, as well as background information on the principles and applications of the techniques. Contributors discuss how to use fluorescent, luminescent, and genetically encoded Ca2+ probes in conjunction with state-of-the-art imaging modalities to characterize Ca2+ signals. Electrophysiological measurements of Ca2+ channel activity are described, as are radioactive Ca2+ flux assays and methods to investigate signaling mediated by specific Ca2+-mobilizing messengers (IP3, cADPR, and NAADP). Techniques to modulate and suppress intra- and intercellular signals are also provided. Each protocol is complete with a list of required materials, detailed recipes for media and reagents, and troubleshooting advice.

Specific chapters are devoted to Ca2+ signaling techniques in non-mammalian systems, such as plants, yeast, zebrafish, and Xenopus. Methods for assessing Ca2+-binding kinetics and strategies for developing mathematical models of Ca2+ signaling are also included. Thus, this manual is a comprehensive laboratory resource for biochemists, cell and developmental biologists, and physiologists who are using or looking to expand their repertoire of Ca2+ techniques.

  • Sales Rank: #5854945 in Books
  • Published on: 2013-10-31
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.80" h x 1.30" w x 11.20" l, 4.15 pounds
  • Binding: Hardcover
  • 608 pages

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0 of 0 people found the following review helpful.
Five Stars
By L Wagner
Fantastic review of calcium techniques. Used as an industry standard.

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Thursday, 12 December 2013

[B368.Ebook] Download PDF Interpreting the Axe Trade: Production and Exchange in Neolithic Britain (New Studies in Archaeology), by Richard Bradley, Mark Edmonds

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Interpreting the Axe Trade: Production and Exchange in Neolithic Britain (New Studies in Archaeology), by Richard Bradley, Mark Edmonds

Interpreting the Axe Trade documents the changing character and context of stone axe production and exchange in the British Neolithic. Drawing on a variety of studies, the authors explore some of the problems and potentials that attend archaeological discussions of exchange at both a theoretical and a methodological level. Out of this critique arises an argument for an integrated approach to the production, circulation and consumption of past material - an approach which acknowledges the subtle and complex roles that 'things' may play in the reproduction of social life. These arguments provide the basis for a case study which explores the links between the social contexts within which Neolithic stone axes circulated in Britain, and the social and material conditions under which those objects were originally produced. Field survey, excavation and detailed technological studies at the largest stone axe source in Britain are set alongside analyses of the changing character and social context of axe circulation and deposition across the country as a whole. These different analytical threads are then woven together in the final section of the book, where the authors suggest that the patterns explored in the course of their work reflect major changes in the nature of social life during the Neolithic.

  • Sales Rank: #3856663 in eBooks
  • Published on: 1993-04-22
  • Released on: 1993-04-22
  • Format: Kindle eBook

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0 of 1 people found the following review helpful.
Five Stars
By Dstueber
This is a great book and I was happy to get it.

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Wednesday, 11 December 2013

[X386.Ebook] Get Free Ebook Stone Cottage: Pound, Yeats, and Modernism, by James Longenbach

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Stone Cottage: Pound, Yeats, and Modernism, by James Longenbach

Although readers of modern literature have always known about the collaboration of W.B. Yeats and Ezra Pound, the crucial winters these poets spent living together in Stone Cottage in Sussex (1913-1916) have remained a mystery. Working from a large base of previously unpublished material, James Longenbach presents for the first time the untold story of these three winters. Inside the secret world of Stone Cottage, Pound's Imagist poems were inextricably linked to Yeats's studies in spiritualism and magic, and early drafts of The Cantos reveal that the poem began in response to the same esoteric texts that shaped Yeats's visionary system. At the same time, Yeats's autobiographies and Noh-style plays took shape with Pound's assistance. Having retreated to Sussex to escape the flurry of wartime London, both poets tracked the progress of the Great War and in response wrote poems--some unpublished until now--that directly address the poet's political function. More than the story of a literary friendship, Stone Cottage explores the Pound-Yeats connection within the larger context of modern literature and culture, illuminating work that ranks with the greatest achievements of modernism.

  • Sales Rank: #2085354 in Books
  • Published on: 1991-01-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x 1.03" w x 5.50" l, 1.06 pounds
  • Binding: Paperback
  • 352 pages

From Library Journal
Longenbach's taut and lucid study argues that, in flight from the bourgeois state of mind, William Butler Yeats and young Ezra Pound spent the three winters of 19131916 in seminal collaborative reading and writing at Stone Cottage, Sussex. These sessions not only shaped their future careers, but established the obscurist and elitist tone of modernist literature and culture. In contrast, Casillo is at times strained in his somewhat obtrusively documented study focusing on Pound's career in Italy in the 1930s and 1940s. He argues that the poet's increasingly rabid anti-Semitism was not simply an unfortunate personal quirk, but the result of his complex and contradictory personality and beliefs and, as such, at the very heart of his Cantos. His support of Fascism stemmed from the belief that it would establish fixity and order in a West that was slipping into social, political, and spiritual chaos. Charles C. Nash, Cottey Coll., Nevada, Mo.
Copyright 1988 Reed Business Information, Inc.

Review
"Longenbach engages in some fine historiography....Establish[es] him as one of his generation's closest students of poetic modernism, a critic whose patched histories we can look forward to reading with pleasure in the coming years."--Modern Language Quarterly

"An excellent study of early modernist poetry."--Vincent Quinn, Brooklyn College

"Has already revised our sense of modernist literature and will endure to prove one of the seminal texts of the history of modernism."--Paideuma

"Longenbach's account of the relation between Pound and Yeats, during and after the Stone Cottage winters, is far more detailed and intimate than any previous version....Contains much detail of interest...including several hitherto unpublished poems and fragments by Pound and by Yeats."--The New York Review of Books

"Longenbach has gone back to the day-to-day records of Pound and Yeats during what were perhaps the crucial years of modernism--the years when Pound was drafting his first set of Cantos and Yeats was remaking his early style. What he's found is extraordinary: a record of spiritualist interest and experimentation that will force all of us to reconsider our understanding of the Cantos and rethink the rationale of modernism. That along with the group of unpublished works Longenbach has unearthed and his picture of Pound and Yeats at work (which takes us well beyond Ellmann's Eminent Domain) add up to an unusually valuable piece of work."--Ronald Bush, California Institute of Technology

"In its judiciousness, humaneness and gracefully borne learning [the book] calls to mind the late Richard Ellmann at the height of his powers. It is at once an imposing piece of research, a fundamental contribution to the study of early modernism, and a deftly told narrative that abounds in pathos, irony, and outright comedy. This book will permanently and radically alter the received wisdom about Pound's relation to Yeats."--Frederick Crews, University of California, Berkeley

"Literary criticism of the highest order....Longenbach means not only to revalue the roots of modernism but the way in which such evaluations should be made."--Virginia Quarterly Review

"A refreshingly empirical and substantive contribution....His study consolidates between hard covers, and with vastly more information, insights into the Pound-Yeats relationship that have been appearing piecemeal here and there for a decade or so."--The Kenyon Review

"Throws genuine light on the history of modernism....Provid[es] a fascinating account of the creative dialogue and collaboration between the two poets....An elegantly argued revision of modernist history."--Times Literary Supplement

"An excellent contribution to what is already known about a great literary friendship."--Choice

About the Author
James Longenbach is an Associate Professor of English at the University of Rochester.

Most helpful customer reviews

5 of 5 people found the following review helpful.
Excellent
By Shawn Sturgeon
This is a terrific exploration of the association between Pound and Yeats at Stone Cottage in the mid teens. Longenbach examines the relationship between the elder and younger poet--Pound's imitation and adulation of Yeats, and Yeat's willingness to explore the various impulses that result from his association with Pound's energy and combativeness--with a thoroughness that is illuminating. In many respects, I found this to be one of the best interpretations of many of the subsequent energies of High Modernism (its hermeticism, the sense of exile, of expulsion from the "garden" of the pre-Great War world)that I've read. The influence of Yeat's interest in the occult on Pound is also rather revealing, and I found myself rereading the Cantos is a slightly different light afterwards. Two small criticisms: Longenbach rather neglects the influence of Dorothy Pound on the relationship between the two poets, although he notes her early Cubist paintings and makes a brief examination of her relationship with Pound. Although one cannot fault Longenbach for maintaining his tight focus on the two poets, one cannot disregard the impact that ia visual artist might have on two such polymathic artists. I personally think this was a missed opportunity, and I hope Longenbach will add new material on the trio in future editions. The second niggling criticism is the author's tendancy to repeat himself in "touchstone" sentences throughout the work--one has the sense that Longenbach is working his sources a bit too hard and substituting clarity for nuance in such moments. Regarding the use of this study with accompanying texts, one is best served by the new Library of America edition of Pound, Poems and Translations, the standard New Directions edition of the Cantos, as well as the Finneran edition of Yeats. Longenbach examines enough previously unpublished texts of Pound that the Library of America edition is indispensible. In short, I think this is an excellent secondary text for incipient PhDs and poets, and Longenbach should be praised for his remarkable study of these important Modernist poets.

0 of 0 people found the following review helpful.
Excellent
By Shawn Sturgeon
This is a terrific exploration of the association between Pound and Yeats at Stone Cottage in the mid teens. Longenbach examines the relationship between the elder and younger poet--Pound's imitation and adulation of Yeats, and Yeat's willingness to explore the various impulses that result from his association with Pound's energy and combativeness--with a thoroughness that is illuminating. In many respects, I found this to be one of the best interpretations of many of the subsequent energies of High Modernism (its hermeticism, the sense of exile, of expulsion from the "garden" of the pre-Great War world)that I've read. The influence of Yeat's interest in the occult on Pound is also rather revealing, and I found myself rereading the Cantos is a slightly different light afterwards. Two small criticisms: Longenbach rather neglects the influence of Dorothy Pound on the relationship between the two poets, although he notes her early Cubist paintings and makes a brief examination of her relationship with Pound. Although one cannot fault Longenbach for maintaining his tight focus on the two poets, one cannot disregard the impact that ia visual artist might have on two such polymathic artists. I personally think this was a missed opportunity, and I hope Longenbach will add new material on the trio in future editions. The second niggling criticism is the author's tendancy to repeat himself in "touchstone" sentences throughout the work--one has the sense that Longenbach is working his sources a bit too hard and substituting clarity for nuance in such moments. Regarding the use of this study with accompanying texts, one is best served by the new Library of America edition of Pound, Poems and Translations, the standard New Directions edition of the Cantos, as well as the Finneran edition of Yeats. Longenbach examines enough previously unpublished texts of Pound that the LOA edition is indispensible. In short, I think this is an excellent secondary text for incipient PhDs and poets, and Longenbach should be praised for his remarkable study of these important Modernist poets.

0 of 0 people found the following review helpful.
A triumph, if not a cenotaph.
By stephen
A book about Modernism, it is not.
(Pound's poetry is retrospective, and Yeats is inviolably systematic)

It is, though, a diary of both poets' three winters together in Sussex during WW1, which finished via collaboration with the publication of the 'Three Cantos', and 'Per Amica Silentia Lunae'.

The facts don't, however, speak for themselves in this book because the author wants us the believe that the 'noble state of mind' of these poets was a political strategy : whether the Artist can get away with ignoring the world, i.e. the War ; or not engaging it directly, i.e. writing poetry about things, not events. (Or maybe Longenbach is wondering why they didn't enlist ?)

This is a book that wants to explain loneliness and a necessary secretiveness as a forward gesture to fascist tendencies.

Longenbach does psychologize ; his premise - which he does not state - is that Yeats and Pound wanted for themselves 'permanent metaphors' that would be exemplified best from their personal lifestyles.

Neither were political, really, (and especially Pound, who by 1935, and well before his notorious radio broadcasts, was most likely insane) yet the author, repeatedly, sneers his own political way against the 'aristocratic', (a common word in this book ) arts.

I don't think that Mr. Longenbach likes poets.

Every page is dotted with his rage ... and when I see the word 'Holocaust' 4 pages from the end, I know what I'm up against : an ending in search of an answer.

As a record of their friendship and mutual assistance, this book satisfies ... but it leaves a bitter aftertaste, and I know that the author understands things, but he doesn't like what he knows.
I just wonder what he really wants.

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Sunday, 8 December 2013

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  • Published on: 1600
  • Binding: Paperback

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Saturday, 7 December 2013

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Numbers, Groups and Codes, by J. F. Humphreys, M. Y. Prest

This thoroughly revised and updated version of the popular textbook on abstract algebra introduces students to easily understood problems and concepts. John Humphreys and Mike Prest include many examples and exercises throughout the book to make it more appealing to students and instructors. The second edition features new sections on mathematical reasoning and polynomials. In addition, three chapters have been completely rewritten and all others have been updated. First Edition Pb (1990): 0-521-35938-4

  • Sales Rank: #932560 in Books
  • Published on: 2004-05-24
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.98" h x .75" w x 5.98" l, 1.15 pounds
  • Binding: Paperback
  • 356 pages

Review
"This book merits a close look because of its pedagogical strengths. One might say this book really is about 'How to think about mathematics.' And that is a great virtue...The book is sprinkled with historical and other motivations...a very useful text on abstract algebra." MAA Online

About the Author
fm.author_biographical_note1

fm.author_biographical_note2

Mike Prest is Professor of Pure Mathematics at the University of Manchester.

Most helpful customer reviews

4 of 4 people found the following review helpful.
Excellent book
By JAT
This book is ideal for a first brush with abstract algebra. Ideally it should be read before one tackles linear algebra - however, this is rarely the case. The book is extremely well written, contains many exercises and some solutions, consistently points the reader towards more advanced texts in the appropriate areas, and gives many brief and interesting historical anecdotes.
The approach is fairly elementary in many places - for instance, one proves many results for the integers alone, which are in fact true for rings in general. However, this serves the important pedagogical purpose of introducing topics in a context with which we are all familiar - later, when reading more advanced texts, the ideas are easily generalized.
The book is a great buy for the price. I highly recommend it.

11 of 11 people found the following review helpful.
The most fascinating math book I've ever read.
By A Customer
This a university-level math textbook, but it can be read by anyone with a high school-level knowledge of algebra. It covers subjects such as set theory, error-correcting codes, properties of prime numbers, and boolean algebra, and it's FUN!! I especially liked the section on congruence classes. To give an example: the authors explain why a number of the form 4k + 3 (k is an integer) can never be the sum of squares, and they give you the tools to discover your own odd facts such as that. A very well-written math book.

2 of 2 people found the following review helpful.
Easy to Use Textbook
By TheHandle
The book provides the information in a very clear cut and easy to understand manner. The examples are challenging but not impossible and definitely makes learning the subject matter easier than many other books.

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